Saturday, May 18, 2013

Saturday Music Club: why this blog is called Sweet Freedom...





Well, because I did, for a long time with my ex, Donna Wilson, a radio show called Sweet Freedom, first on WGMU-AM at George Mason University, then at WCXS (then WEBR, now Radio Fairfax) cable radio in Fairfax County, VA, and finally so far at WPPR-FM (now basically the Prometheus Radio Project) in Philadelphia  That lasted, with interruption, for just under a decade of weekly broadcasting/cablecasting/narrowcasting.


The CBS reissue I had first.
And, of course, because I've been a libertarian socialist for essentially all my political life. (That I've been a diagnosed diabetic with a savage sweet tooth throughout most of the years I've used the title gives a bit of resonance to it, too.)

But also, and certainly not least, because of the Freedom Now Suite composed by Max Roach and Oscar Brown, Jr., and performed by various Roach groups over the years (initially on record with a band including Abbey Lincoln, Babatunde Olatunji and Coleman Hawkins), and the Sonny Rollins composition Freedom Suite.

("Socialist Jazz" is a dismissive if teasing nick-name some fellow high-school students came up with for me. Rather difficult for me, at the time nor since, to be insulted by that combo, however overdetermined it might be, even given how it was intended.)





An interview segment, essentially, below...as one commenter on the YT post notes, "Freedom Suite" was hardly the first political statement among jazz instrumentals...


I didn't remember the Rascals' album when I named the radio show, but its resonances didn't upset me, either:


The Michael McDonald song for the Running Scared soundtrack wasn't on my radar at all at the time. Nor the much earlier Uriah Heep song.

Friday, May 17, 2013

Friday's "Forgotten" Books: the links

This week's selections, at the links below, of books with insufficient attention yet given (some books never get enough)...if I've missed yours or someone else's, please let me know in comments. Patti Abbott will be compiling the list again next week, and in two weeks would like to see your review of an Elmore Leonard fiction for your Friday entry, if you're game...

Sergio Angelini: Fuzz by "Ed McBain"

Joe Barone: Nobody's Perfect by Donald Westlake

Brian Busby: A Dum-Dum for the President by "Martin Brett"

Bill Crider: The Yggyssey by Daniel Pinkwater

William F. Deeck: Sleep No More by Sam S. Taylor

Loren Eaton: Vurt by Jeff Noon

Martin Edwards: A Question of Proof by "Nicholas Blake"

Peter Enfantino, John Scoleri & Jack Seabrook: The House of Mystery, etc.

Barry Ergang: Brass Knuckles by Frank Gruber

Curt Evans: Murder at Bermuda and Murder of the Honest Broker by Willoughby Sharp

Ed Gorman: How Like an Angel by Margaret Millar

Douglas Greene: Bodies in a Bookshop by "R. T. Campbell"

Jerry House: Sweet Genevieve by August Derleth

Randy Johnson: Once Upon A Murder by Robert J. Randisi & Kevin D. Randle

George Kelley: Murder in the Wind (aka Hurricane) by John D. MacDonald

Margot Kinberg: Breach of Promise by Perri O’Shaughnessy

Rob Kitchin: The Dance of the Seagull by Andrea Camilleri

B.V. Lawson: Exeunt Murderers by "Anthony Boucher"

Evan Lewis: Spicy Detective Stories edited by Tom Mason

Steve Lewis: The Phantom Spy (aka War for Sale) by "Max Brand"

Ed Lynskey: The Bloody Spur by Charles Einstein

Neer: Night Screams by Bill Pronzini and Barry N. Malzberg

Todd Mason: Backing into Forward by Jules Feiffer; Pogo: Through the Wild Blue Yonder by Walt Kelly

John F. Norris: Scream for Jeeves by P. H. Cannon

James Reasoner: The Bad Man of the West by George D. Hendricks

Karyn Reeves: The Fig Tree by Aubrey Menen

Gerard Saylor: Biloxi Blues by Neil Simon

Ron Scheer: A Daughter of the Snows by Jack London; Dead Man's Ranch by Matthew Mayo (not quite as by Ralph Compton)

Kerrie Smith: Comeback by Dick Francis

Prashant Trikannad: comics on Mars







from the local paper on my 13th birthday...

Stumbled across this after the work database went down tonight (at its scheduled time to do so)...The Nashua Telegraph wasn't a great paper, but it was available for my folks' perusal at breakfast, which The Boston Globe might not be, and the Manchester Union-Leader was beserkly right-wing (as rabidly so as any daily in the U.S. at the time), even as they were mildly left-leaning...somewhat to the left of the Globe, much less the Telegraph. The Loeb paper was out of the question. I note that in the summer of 1977, I would've been catching either the CBS sitcom repeats or, at least as likely, what WENH, the New Hapmshire PBS station, was pumping out on that Saturday night: The International Animation Festival at 8p, Wodehouse Playhouse at 8:30p, The Goodies at 9p (I might well've opted for All in the Family's repeat, as I was rather less a fan of The Goodies), Python at 9:30p. I don't remember catching Casqe d'Or on what Channel 11 labeled PBS Theater that night, though I was a loyal viewer of the film package. (And I haven't thought of Once Upon a Classic nor Piccadilly Circus, both PBS offers, for dogs' years...)
 
Interesting to see how much more programming aimed at minority communities was in evidence even on the commercial stations in Boston at the time than one might see now, even if it was mostly low-budget discussion programming in fringe time-periods, on the weekend...but, then, WHDH had lost a license to broadcast only a few years before in a challenge, and I suspect the corporate interests in the Hub were making damned sure they covered at least a few bases to keep it from happening to them as well...

Wednesday, May 15, 2013

AH, WILDERNESS! by Eugene O'Neill: the Caedmon Records recording of the Theater Recording Society performance (1970)



The first performance of O'Neill I'd seen or heard.
Four, I think, lps...you stacked them on a spindle and four discs had sides 1-4, then you flipped the stack for sides 5-8.  A long afternoon with my father's 1960s Koss headphones...

Courtesy eOneill.com.

Director: Theodore Mann

Originally staged at Ford's Theatre, Washington, DC, October 12, 1969

Nat Miller - Larry Gates
Essie - Geraldine Fitzgerald
Arthur - Alex Wipf
Richard - Tony Schwab
Mildred - Lucy Saroyan
Tommy - Frank Coleman, IV
Sid Davis - Stefan Gierasch
Lily Miller - Laurinda Barrett

 David McComber - Hansford Rowe
  Muriel McComber - Brenda Currin
  Wint Selby - William Dolive
  Belle - Peggy Pope
  Nora - Camilla Ritchey
  Bartender - Robert Legionaire
  Salesman - Henry Calvert

Tuesday, May 14, 2013

more links (and corrections): Tuesday's Overlooked Films and/or Other A/V: the links

Below, today's set of reviews and citations of audiovisual works and related matter, with the posts at the links... as always, thanks to all the contributors and to all you readers for your participation. And, as usually, there are likely to be additions to this list over the course of the day, and if I've missed your, or someone else's, post, please let me know in comments...thanks again.



Bill Crider: Congo (1985 film); ...the trailer

Brent McKee: NBC's 2013-2014 slate

Brian Arnold: Street Smart

BV Lawson: Media Murder

Dan Stumpf: Belladonna; Temptation (1946 film)

Ed Gorman/Dave Kehr: The Deadly Companions

Scott and Bailey
Elizabeth Foxwell: Triple Cross

Evan Lewis: "Thugs with Dirty Mugs" (and a sadly annoying XBox ad)

George Kelley: Scott & Bailey

How Did This Get Made?: Joyful Noise

Iba Dawson: TCM Film Fest 2013

Ivan G. Shreve, Jr.: Coming Distractions: June on TCM;  The Chase & Sanborn Hour (with Edgar Bergen and Charlie McCarthy)

Jackie Kashian: Janeane Garofalo and Maria Bamford; Joe Starr and Transformers

Stranger Than Fiction credits montage stills
Jacqueline T. Lynch: Danger Lights 

Jake Hinkson: Silverado

James Reasoner: Stranger Than Fiction

Janet Varney/The JV Club: Casey Wilson (Casey Wilson's mother, activist Kathy Wilson)

Jerry House: Trouble with Father: "Teacher's Pet"

J. Kingston Pierce: I Love Trouble (1948)

Juri Nummelin: Cimarron Strip: "Knife in the Darkness" (script by Harlan Ellison)

Kliph Nesteroff: Jean Carroll on The Frankie Laine Show

Laura: Columbia Pictures Film Noir Classics, Vol. IV;  New Morals for Old
Ghost Ship

Lucy Brown: Experiment Perilous; Wakefield Drama Festival

Marc Maron/WTF: Noah Baumbach

Marty McKee: The Humanoid

Michael Shonk: Ideal TV Crime-Drama Schedules

Mystery Dan: Ghost Ship

Patti Abbott: Mr. and Mrs. Bridge

Prashant Trikannad: Mel Gibson 1979: Mad Max and Tim

Randy Johnson: The Outsider (1968 television series); Adios, Gringo

Rick: The Seven Best Ray Harryhausen Movies

Safety Not Guaranteed
Rod Lott: Godzilla 2000; Fortress 2: Re-Entry

Ron Scheer: Gunfighters

Scott Cupp: Safety Not Guaranteed

Sergio Angelini: Bryan Forbes

Stacia Jones: Summertime (1955 film)
Who Are You, Polly Magoo?

Television Obscurities: MeTV and Bounce Nielsen Ratings

Tim Lucas: The Unnaturals

Yvette Banek: House of Flying Daggers

Todd Mason: from Europe: some satirical films: "Ersatz," Who Are You, Polly Magoo? and "Dirty Girl"
and
Good Casts, Mixed Results: 
About Cherry (2011) occasionally trembles on the verge of becoming good, then reverts to being the Showgirls of the web porn industry. With a cast featuring such solid performers as Diane Farr, Lili Taylor, and Heather Graham (all of whom have had their share of bad roles and bad projects), the film, written by porn vet and academically-serious writing student Lorelei Lee, who also has a supporting role, and first-time director and writing vet Stephen Elliott, seems unsurprisingly well-informed about the porn industry, but the human dynamics in the script are the kind of ridiculous soap that have made the earlier film the anti-classic that it is. Dev Patel and James Franco's roles are particularly goofy as presented, and model/actress Ashley Hinshaw is certainly prettier than the part requires, but she also radiates the kind of smug certainty throughout that this is all Just Right that marked Elizabeth Berkley's performance in that other film...to me, somewhat amusingly in context, she looks as if she could be Graham's younger sister.  (Currently in rotation on The Movie Channel.)
Vamps

Conversely, Vamps (2012) strikes me as a fine film woefully overlooked since barely being released last year (and with a rather more diffuse home-video market than there was even a few years ago, less likely to triumph in that arena). A charming, occasionally too-sitcom-schtick dark fantasy about humane vampires (amid a rather mixed bunch in vampire society) played rather well by Alicia Silverstone and Krysten Ritter, it might particularly appeal to those who like the kind of fantasy Thorne Smith, Unknown Fantasy Fiction magazine, and the post-Peter Beagle urban fantasy folks are often likely to deliver...Amy Heckerling's screenplay and direction aren't flawless, but are certainly deft enough, with 12-step programs, the Patriot Act and its implications, and other vexing matters dealt and played with, and a number of clever touches along the way. The supporting cast includes Sigourney Weaver and Wallace Shawn as our primary (though not quite utter) villains, Richard Lewis as an aging (still human) former flame of Silverstone's Goody (who was born in 1841 and turned as a young mother and abolitionist activist), and Malcolm McDowell as a (mostly) rather reformed Vlad Tepes. So, cute but never too terribly cute, and more often clever...definitely worth a look. (Currently in rotation on Starz.)